Scene from a New York Subway Train, Or, The bleakness of existence, existentially speaking

poetry

Festooned with an array of fresh-picked weeds
in the breast-pocket of his light blue button-down shirt
a gentleman rides a subway car quietly
in the early evening of a warm New York night:
There is a suitcase sitting next to him
that does not belong to either he
or the dirtied waif on the other side
of the upright bar they both grip.

The waif glances sidelong at the gentleman –
the only other passenger in that particular car –
and takes interested note of the weeds which
so prominently adorned his person. He nods.
“Got a little girl?” The waif asks, making clear
that the nod was toward the gentleman’s greenery.
“Yeah,” The gentleman replies sheepishly,
“She’s 7 today. A real sweetheart. A gem, really.”

“Seems like it.” The waif says with another nod
as the subway begins to slow, finally screeching
to a soft, if shaky, stop. The doors open but
no one gets on. The gentleman does not move an inch.
The waif is fingering a knife in his pocket,
but the Gentleman does not see it.

It is a swift and fluid motion that the waif makes
as he spins suddenly and draws his knife. He stabs
the gentleman seven or eight times (neither of them
were counting, really) and lets him drop to the floor
while snatching up the now (and always) unguarded suitcase.
The waif leaps from the car just as soon
as the doors start closing, making off with
another man’s tax information from the previous year,
and leaving a bloodied father of one to die,
and everything right with the world,
unfortunately.

To the spineless gentleman of ill repute.

poetry

I, as a vulgar man
have made mention of you
and in polite company, too.

Nearly was I ejected from that brood
and sent on my way to colder climes
but I swore, on my life,
to never speak of you again.

But alas, an absolute
is such a fickle, wish-washed thing
and sooner or later I,
try against though I might,
will curse your name again.

Right about now,
specifically.

the oratory victory

poetry

the greatest speech i ever wrote
was told in front of the hangman’s noose
for a moments time the nearly departed did think
“why maybe this aint’ so bad”
and the greatest moment in my career
was communicated through the still, dead feet

no twitching

a relaxed hanging, i thought
is a good one

i felt most human then.

it got so old so fast, and it felt like they’d never get there but thankfully i found out the rest of the story.

poetry

cue music
We’re on the high way to the danger zone.
We’re taking the exit to the danger zone.
We’re on a feeder road next to the highway to the danger zone.
Now we’re on a by way to the danger zone.
We’ve moved on to a cos-way to the danger zone.
We’re on the shortcut to the danger zoooooooooooone.
We’re on the county road to the danger zone.
Now we’re on the dirt road to the danger zone.
We’re almost there on a back road to the danger zooooooooone.
We’re on the driveway to the danger zone.
We’re now out of our car walking up to the danger zooooooooone.
We’re knocking on the door now to the danger zone.
We’re patiently waiting for the door to open to the danger zone.

i need me a weeping willow: when nature should be mocked

poetry

i wander these woods looking for a tree
to mock nature in revenge for the many
times it’s merely cried with me
when i needed to be cheered up.

on that late night walk home
(already melancholy from a rough
and lonely day) nature gave me silencing
snow
enveloping the world in beauty but
giving me ear muffs and sending the world
inside as if to say, “you’re lonely?
i can dig that knife deeper for you.”

but now my life overwhelmed with joy,
i need me a weeping willow to sit beneath
and laugh hysterically at it, rather than it
at me.

alas nature knows my intentions and gives
me nothing but sunshine, tulips, and fields
of green grass where i swear there were
woods last year.

void

poetry

oh i smiles
sometimes you know
i smelly done good good
and never look back
the thing in my pants
i store it there
a brand i can depend on
holds it there
and i carry it around
i smiles you know
sometimes just so right right
take off, throw out now
and carry on.
makes me to smiles

different names/poems same things

poetry

no i won’t take you to the coffee shop
because it’s friday
so you can sit behind the myth of
shelter from your mocha froth
no not even if you thought you were
on another planet,
not even

and i won’t take you to meet your friend
“fake gold chains” or get your name
tattooed to my skin in a different language
even though you might deserve it
for how hard you tried to stand
when i walked in

i won’t take you so you won’t go
because you can stop but you can’t stop
thinking about going
so what’s the difference anyways?
so what’s the difference?

Save(d)

poetry

Many different people can rescue you:
from a burning house
from a sinking ship

from a collapsing building
being trampled underneath a stampede
mauled by an animal
from unexpected in-laws
severing your own wrists
thieves in the darkness

from drowning
an awkward conversation
when a disaster strikes
from extreme boredom
unwanted responsibility
a squealing crash
bound and gagged in captivity

throw a life raft
bail you out
take the bullet for you
swerve just in the nick of time
pull you from the wreckage
slam the brakes
offer a listening ear
push you out of the way
pay your loans
take the blame

you can be rescued from many things
but only one person can save you.

Full Moon Fever

poetry

It was Condensation-damp that night
when I paid a visit to your garden
and it grew well, at least the Morning Glories did
and it was your mother’s favorite spot
in the whole wide world

and it was fitting, I suppose,
in all the wrong sorts of ways,
that you went so far to show it to me.

After all, though we tread softly,
it was not our garden to trod upon.
Your mother was quick to show us that,
too.

Another for G Nasty

poetry

Dry goods and processed foods deaden your palate
While your gullet undulates furiously
to make due with what amounts to nothing
and your body is hungry and your eyes are dry
but your nails have grown long in this squalor
and every now and then you scratch yourself
deep enough for the blood to just get through
and you know that you are living
though you feel as though you’re dead
but you only think that it’s a terrible shame
and you’d be far more comfortable
six feet under in a large padded box
or less hungry at the least.

I Love You, man.

poetry

Those thoughts came across as vacuous and venomous
hardly worth the time taken to think them
blown out of proportion
creeping like a terrible octopus from a wooden chest
just like in that nightmare you had
and they scared you just the same
so you sleep with a spear next your dresser

Those thoughts tried to kill us
and tried to tear us to shreds,
or to split us in twain or strangle us whole
(as a terrible octopus might)
they tried to inject their terrible venoms –
a cockail of pain and wrtetch and necrosis –
but your spear was at the ready

And when I ran to you to warn you
you were standing over the fleshy, spineless corpse
of some terrible octopus,
And though your spear was snapped in two
and the monster’s tentacles were still squirming
I knew you had won the thing
and I knew that we were going to be alright

my boys

poetry

i’ve me two girls as cute as can be
melt my heart, abuse my soul, manipulate me.
(as only girls can do to their daddys)
but eight months or so and i’ll’ve me two boys
destined to be studs, a different kind of joy.

beer brats, movies with car chases, and eventually
someone to teach to smoke a pipe, drink beer,
love scotch.

and this whole new part of me is revving up in
absurd excitement.

four’s a real family, and i’m a real dad.
a reality strange to me
and any friend i’ve ever had.