is there life without love?

poetry

i wrote and wrote
with eyes i wrote
scientifically

and left the only
footprints in the
cave of the troglophiles

how could you know
how much i love you?
the knee-prints can’t
the hand-prints can’t
the finger-prints can’t
tell

even if they followed
the new lines in their
opaque world
no guess could be had
at me

even if my breath
reached any nape
no energy would pass

(even if it did
i can’t put a
blind lizard in
a prom dress)

i wrote and wrote
but only those with
eyes ever saw it.

Another one on people

poetry

As people some hide
in the nebulous nature
of most things

They are protected
by the general failure
of those around them

And so long as the bar
is not set too high
why, there’s no need to
jump
if you can just lift your leg
a little

Most people would do better
as dogs, I think

When dogs lift their legs
they mean it,
at least

words and speechlessness

poetry

there are no words for when
things are a-okay
and you’re a man in the sun
on a raft in a bay
and you couldn’t care what
the moving mouths say
every thing be damned
if just for today
they are impermanent
and pass like a wave
there are no words
when things are okay.

Real life, toy box.

poetry

Bodies like barbie dolls, void
of all nature, all feeling, all
joy and splendor.
Ken dolls, all of ‘em-
stupid bulge spots as if
there’s something there to hope for.
They’re all the same plastic,
inorganic lumps waiting
to try and rub against
whatever kind of senseless parts
I don’t possess. Me,
I’m one of them-
the lifeless, the shapeless, the
unpleasurable mockery of all
which is holy. I am unfit to fulfill my duties.
And, well, this whole world’s a joke.

Dedication (as in, “for someone,” although also, in a sense, as in, “committed to”)

poetry

For Tara

Before you,
and before this,
I was a wool sock
full of lead bricks
in a clenched fist
I was
stone.
My favorite books;
those love stories whose quotes
I had once etched into my
eyelids
had moved
to the bottom of the stack
had
slipped under the carpet
my eyelids
were erased
and replacing these quotes
were notes to myself
saying
Keep these lids closed.
You can’t miss what you pretend
you’ve never seen.
So I spent one month
this past summer
sleeping on the floor
And I always locked the door
and I never bought a bed
Instead
I focused on
turning myself in to bread
With the hope
that enough people could
pull pieces from me
as to make me feel needed
I needed that.
Meanwhile
I laughed
as I gracefully slipped in to cynicism
like a robe made of glass
It’s a lot easier to
say you may never fall asleep
beside anything but the wall
if while you do, you laugh. I
wish you knew
how few things I believed in
before I believed in you.

But I could already feel
these fists unclench
the night we met
I changed my pillow cases.
I didn’t need to erase
my eyelids again. They’re
wide open now
I can only barely remember
what they once said.
The robes I wore
are burnt and
forgotten
The first time I got dressed
after meeting you
it was all linen. Soft
like I had forgotten how to know.

I was writing poems to
pray that you existed
before I ever knew you or
knew this
I knew I was looking for your eyes against mine.
I just didn’t know
what they would look like.
And I don’t believe in resurrection
but I do believe in redemption
and you pulled out of me
the man who needed to be saved.
So I renamed love after you
It’s a small thankfulness
for reminding me
that it existed.

Some Things MatterMore

poetry

You can cut a man’s throat
and he’ll feel it for
the rest of his life and
you can stab him and
he’ll bleed until he stops
and he’ll never forget it

You can cut a mans’ soul
and he may never know
it and those cuts are
deeper than anything and
maybe he doesn’t bleed
or die but maybe he does

Maybe he’s never the same
again.

And while one cuts with one’s
knife and one does one’s
work so perfectly, another
makes the mark with song or
sonnet and maybe he slips
a time or two, and maybe that
is half the point somehow

That a man can break and
stand on both feet is
astounding

That a man can endure
and never move again:
double that,
and easily.

why i wrestle with anxiety

poetry

it’s about what you think
and how it drips out of your
forehead in confident drops
and tip-toes down your face
too small for you to feel

and it’s about what they think
and about how they smile when
they think it
and as their smiles grow there
are a million grating shreaks
growing, too and it sounds
like pulling a rusty rake across
a rusty tractor
in an aluminum barn

it’s about caring

it’s about how you’re all wrong

and i’ve stopped offering corrections

stopped giving out tours

to the lake from which to drink
only
if you’ve learned what direction

we took to get there

no one has ever made it
there and back

except
for those of us with coke-
bottle eyes
then

then

everything is far too clear
and there is water everywhere
everywhere
that you are not

What I’m getting at, is an excess of emotions balanced by too few words to describe them

poetry

For Tara

In first grade
Everyone drew the sun
as a big yellow cookie with
orange triangle arms.
I picked so many fights
over how incorrect that was.
But I have the same problem
when trying to describe love

My love
wears the face of worry
Which manifests as
I hear your voice around
every corner
and see your face
in places I know you are not
My butterflies are cannonballs
playing hopscotch in my stomach
I swallow rocks
sometimes
to keep all this emotion
down.
And how
many pages were torn
for me to get this book tongued
for me to get this binding spine
This is a true story
of a young man who loved
so hard
he could quote Shakespeare at you
and mean it.

There comes a time
when my words are not enough.
Some days I lick newspaper
and eat sentences right out
of my close friends’ mouths
just
to make use
and make language
like paint
I mix words
just to make sense. You
send my senses
to the base of my stomach. You
are the penny in my dryer.
I would have to
swallow rocks
if I ever thought
I wanted quiet.
If I ever wanted to quell the riot
you’ve got going
in my body. I’m
not blinking so much
to shut
you out
That’s my eyes
fighting to give you a
standing ovation.
If I turn sideways
I’m not looking at anyone else
that’s my ears trying to hear you
loud enough
That when you’ve gone away
I can still hit replay
But I’ve got to be careful of
what my mouth does. Listen
you should know this
I have spoken love
so hard
I might have broken love
before
This is a warning:
I am typewriter fingered
and I talk
a lot
I know you know this.
If you notice
that I repeat myself
I apologize
in advance
Sometimes my heart beats quicker
than my mouth can move
So when I run out of ways to say “love”
please
don’t think that means anything about you

I’m trying to teach myself silence
I’m not great at it
I know you know that too.
If I ever get it right
it’s just practice
I still have the world to say to you.
And when I get it wrong,
on the days
that you want
to tell me
to shut up
and I keep name-dropping “love”
That’s because
I stopped eating those rocks.
I want to feel this.

In first grade
I was asked to describe the sun.
So I stared directly at it
And when my teacher asked what it looked like
I said ouch
It’s really bright
I can’t see anything right now
Talking about love
or you
is the same thing
Blinding in all your bright
I still don’t ever miss the night

A thousand Words, A Hundred Dollars, A Cheap Pork-Chop Dinner and the Cab-fare Home

poetry

Some pictures are valueless
some less or more than average
and the adage only makes the rule
for one picture, anyway

Some pictures can cost you dear
and leave you broke and homeless
or alone in the world, at least

Some pictures are worth it
just to stretch with silly-putty
and laugh at on a rainy day

some pictures are priceless,
though,
and maybe those few on your pinboard
need not be appraised just
yet.

you may be an ass, but at least listening to you speak provides me with fodder for a later endeavor i call writing

poetry

nothing of note
just a few thoughts
you shared i wrote
down because of their
poetic nature.
your speech was beautiful.
your main points?
not so much.

yea this old thing?
this napkin from the diner
where we sat to discuss
life but really you just ranted
against your friends,
politics, and everyone else
you blame.

just a napkin with some
scribbles.
nothing of note.
just a few thoughts
you shared and their
poetic nature.

if and when

poetry

If and when
i die I hope i’m laughing,
god knows i’ve seen my share of sadness.
i say if and when, because
i’m not really certain.
it’s all confusing to me,
how things work and why they do,
so i don’t really know what’s going on.
i just try to laugh, but lately,
lately that laughter doesn’t come,
and that’s not me, no not me.
i would hold a candle in vigil,
vigil for me,
but where am i?
i’m still looking, hey! still looking.
hide and seek with my soul.
all i know,
is that i’ll find me where the laughter is.
in the future, or
in the past.
i can’t die, not until then.

real life sometimes demands ugly things. like breaks. too bad they’re not as easy to take as they are in on-stage performances.

poetry

a brief interlude
(a break if you will)
will now be taken
to give the actors
a break for a few moments
as they re-adjust to
life outside of their
character.
to kiss their girlfriends
instead of their in-play
wives.
to use the bathroom facilities
because opera with the
tension of diarrhea is less
than enjoyable for the singer.
thus the interlude.
we apologize for the break.

Step back and reassess. Perhaps then you will see.

poetry

It is a collection of broken fingers
scratching helplessly on locked doors
legal documents flying everywhere as
a briefcase had been thrown. It was
just your personal failures again.

The door clicks with misgivings as
it rocks in its frame, but gives no
ground. The bolt is fast and true.
The nob won’t help you either, no
matter how loose the latch.

Another finger breaks and falls as
helpless as its brothers and sisters.
It scratches, too, just like it was
taught those years ago. Keep scratching
and something might give. Except the
bolt is fast and true. And the nob
won’t help you either, latch be damned.