A fat cram of color in front of us
Screaming like a flat footed baby
For attention. Or worse, appreciation.
You muttering something about
The brush strokes, as if they were
Exotic birds no one had named yet.
And me embracing the smell of oil,
Freshly polished brass, coffee, someone’s
Over-applied day-out perfume,
And the comforting muttering of
Museum voices, pressing their backs
Lightly against walls and pushing off
Again, to rest in softly lit corners,
Beside the gallery attendant, a
Mysterious beekeeper. A wise man.
You had found something on the
Seventh wall, something that itched
And amused in the way only a close-friend
Can. So I walked over to get a closer look.
There it was. A painting of the very gallery
We stood in, one hundred years before us.
So we took it in. Savored the snap-shot
In time. A chrysalis around us for just
A few moments. Until the bell rang
For closing and we left through the
Royal roof-scraping doors.
Day: April 13, 2010
not the usual “bad weed” stench on my block tonight
poetryOverdue sweet smells-
Lylac and budding tree leaves
Refresh Kensington.
perception defines reality
poetryreality as perception defines,
and even more, we’ve come
to expect;
on the mondays when we go to
work,
along the sweat and blood
highways.
When shopping, make sure you read all the silly round labels on the boxes
poetryGenuine is
leather, gold, sugar, diamonds, Kentucky bourbon,
You.
Coats need tailoring,
gold the work of practiced hands,
sugar only comes from canes
and Kentucky Bourbon is one thing only found in
Kentucky.
(check the label).
Oh, so pay the man and
buy that stamp on his degree.
Buy the gold medal on the
Barbecue sauce wrapper.
I’ll drive an hour and sit
singing loud enough to
wake the neighbors. And we
won’t say anything of substance
until we’re safely set away.
But we’ll say it.
And the only genuine I’ll pay for
is the only one I get for free.