coherent only in their incoherencies

poetry

my brain will atrophy when this bruise decides it is not enough to slow me down to the speed it has chosen.

sleeplessness is playing its role perfectly; standing outside my window and wielding scalpels and other instruments of both death and salvation laughing like an evil uncle, or mocking child.

the fragrance of the sun-burning-holes-in-my-cheek through the magnification of the window to the right of where i’m productive reminds me sickly of the wood chips they used in elementary school to cover the vomit of the kid we all knew with a weak continence.

my pen sits idle on the blank notebook i purchased on discount and in which found more pleasure in the binding than the words i hoped to use to fill it to bursting.

Never-Found Futures

poetry

Vortexes swirl as
wheels spin on the
vehicles that carry
the people and the world
in to the next set
of tricky situations
and arguments concerning
politics and economics
and other ‘ics’ and
then there arre the
wrong turns and then
there are the routine
police-initiated traffic
stops and then there
are accidents and fender
benders and trains and
deer (always runaway
deer) and all that just
before we roll in to one
of a million spinning vortexes
that pull us somewhere
that’s nothing like the future
and nothing like we’ve ever
been.

tulips

poetry

Bring in the buzz, and the death too
at the foot of our homes
swimming knives
merry whores
lift my dress up
pray Buddha pray
beads roll under your thumb
like chanting bellybuttons
hammering
gauging
love
Y?
Kill the buzz, and the death too

destruction. like an adult.

poetry

like clay pots we break open not out of disgust for the clay but out of curiosity. our wonder is greater, more mature than that of the child. we watch in anticipation at where exactly the cracks will appear, hoping for one separate from the seam, perhaps a vertical one across the horizontal lid. yes, our sense of curiosity, while rooted in childhood, has matured. we break clay pots to hear the crash and wonder if it’ll be a B flat or a C sharp. there’s a good chance if you break enough pots you’ll eventually get two or three in a row from the same key. something playable on a funk album. something you’d listen to while watching pots fall from a roof, to set a beat, instead of determine a melody. because our wonder is no longer like that of a child’s.

no, we break things for more mature reasons

The Song of Our People

poetry

Now you’re gonna be a manager
and run things just like you always
dreamed you would but what you
don’t know is you won’t be running
anything except yourself into the
ground for the good of all the other
ungrateful little pukes that are useless
but to bitch about the state of things
and call in sick at the least opportune
sorts of times but there are at least three
good employees aside from yourself and
they run in to the ground too and just
like you and just like four little mounting
screws and you won’t ‘come undone until
twelve years from now when they decide
to remodel and a pair of large men with
crowbars and hammers come in and knock
the whole place down

the death of poetry

poetry

the focus of the reader was the first casualty
unfortunately followed closely by the attention
span of the writer.

leaving our poetry every day shorter and shorter
until we choose to leave the poem behind
in a tweet rather than on digital paper.

a medium we’re certain has a shorter life, to better suit our shorter attention

Swim In Your Unbroken Circles

poetry

You are as a fish
stuck in the same little bowl
and though it is
a nice bowl,
rife
with all the trinkets
that a fish could ever need,
it is just a bowl
and there is such trouble
leaping out.

Instead, there are lungs
to be had, and claws
to be grown from fins,
for to climb atop a small stone castle
and leap so very gracefully
from the bowl-rim to counter-top to
kitchen sink, which is
not much better,
but
at least you can
flush on down to stream that way.

END TIMES:

poetry

There is a New World Order
but it deals directly with french fries
at fast food chains and I
think I’ll have a large if you can manage.

The Gods are being dug back up
and in equal parts tacked on sandwich boards
and being hung out to dry, for to prove
the points meandering that nobody
knows anything and everything
is ending, and soon anyway.

but that’s okay, ‘cuz
even if the seas rise up to swallow us,
or the winds blow everything down to Texas
(What could be a worse Armageddon, after all, than to wake up in your own
home but down in Texas?)
, with all these things I’ve done and seen
I’ve had a pretty good run, it seems,
and even the very End Times can’t
take that away from me.

A Work In Regress

poetry

One was asked permission to breathe,
the other granted,
and soon they were huffing and puffing along
as if they knew what to do
with these intricately overcomplicated bodies
of theirs.

One felt is if they were falling,
the other as if they were
The Walking Dead, and together they
made a pair of fools with
too-high a limit on their credit cards
to be healthy.

Then they got to jostling and one,
he bumps in to the wall, and the other,
she falls over, and it’s all
his fault but she’s the one that
takes the fall and now everyone is screaming
and now everyone is slamming doors and
now everyone is leaving
and now everyone is gone except for me,
With only enough nails to board up
half the broken windows.

Leaflet

poetry

“are we alive?”
dancing in the night
give us light
desert sand
a run for our veins
floating trees
purple rain
“are we real?”
fluorescent birds
half notes
crashing out in air traffic
of sky blue pain
“are we …?”
scattered keys
porous terrain
boundaries of grace
give us meaning
(a filling for our soul cavity
a rhythm to our decay)
peace to our howling scars